Full disclosure: I didn’t really wear clothes until I started attending school. It was, you might say, a “short but liberated childhood.” And while I did experience the painful middle-school tensions to “wear cool clothes,” that phase is more about the social significance of the clothes than the clothes themselves.
In any case, “fashion” never really did it for me. I did, however, become fascinated with the concept of self presentation– the way that we all play a grown-up version of dress-up every single day, playing different characters for different situations. Even if we dress for comfort, we’re sending a message about our character and priorities (“I value comfort over other qualities”). Lately I’ve been embracing the “studious/androgynous” character [ripped jeans, ribbed tanks, sexy-librarian glasses].
So, right now it’s New York’s Fashion Week. Last year was the first time I really browsed through the runway photos (they were on the NYTimes home page)– at first feeling somewhat disgusted at myself, and then, funnily enough, feeling strangely inspired. It made me think about form, about art, about identity. And yeah, it made me think about what a big fuckin’ waste of money the fashion industry is. But still, the aesthetic inspiration does it for me.
It’s also, for the record, a fascinating social study. The way that the fashion industry is overly-associated with gay men, while many gay female runway models live in a strange “out/not-out” tension. Or the way that “[Designer X]‘s bold colors imply that this season, she is all about empowered women.” As though being empowered were a seasonal trend? I’ve also gotten into several heated debates about the unambiguously racist structures of many fashion photoshoots– the “supermodel in a 3rd world country” is an ever-popular theme.
In any case, here’s what I’m into from Spring 2010 (click to view full):