Anyways, after reviewing the Kalligraphie pad recently, I decided to revisit that concept and came up with this:
The thing about dip pens… is that they always show an ink to be more saturated than it really is. So I tried to smoosh them around a bit (professional terminology) to show their real range of color. When used in a fountain pen, these inks will write in the color that you can see in the smear.
The other thing about dip pens… is that they require a really saturated ink. They’re best used with India Ink, not fountain pen ink, which is less viscous (read: more watery). I’ve had some luck using Private Reserve inks in dip pens, but on the viscosity scale of fountain pen inks, J. Herbin is by far the least saturated, least viscous ink. So making this page was a total drip-disaster. That’s why there is some pretty uneven line work here…
I find that I use J. Herbin inks a lot with brushes, which I really enjoy. And of course, in pens. I currently have two pens inked with Cacao du Bresil, actually.