I’ve got artist’s block. Maybe it’s because my muse is away, or maybe it’s because my budget leans more towards loan payments than new Daniel Smith paints, but either way — watercolor painting is not coming easy to me these days.
On the other hand, it may not be a mental thing at all; I might just be clashing with a new paper. For the past few years I’ve used Arches blocks, and before that I mostly stuck with various Strathmore papers or Canson student-grade paper. But recently I’ve been working on Fabriano Artistico 140 lb cold press paper, and perhaps I haven’t adjusted to the new texture.
…either that or I’ve spontaneously lost all my skill and/or talent.
In order to resolve any doubts about my adequacy as an artist, I decided to go back to the basics. For me, that means getting watercolor-tunnel-vision, which I’ve maintained for over a week now (it’s beginning to give me a headache).
Speaking of which: Has anybody actually read all the way through Handprint.com’s watercolor section? Like, thoroughly? Watercolor artists know the website as one of the most thorough resources (web OR print) for everything everything watercolor; from color theory to brand comparisons of brushes and paper, the experience is like reading a friggin’ textbook, complete with lightwave diagrams and the molecular structures of pigments.
Anyways, expect a lot of geeky paint posts coming up, including (hopefully!) a paper comparison review.