…And by “weird,” I mean “a paper that I have not adjusted to yet.”
I’m mainly confused about why it’s labeled “watercolor paper” when it’s primary used for drawing. The smooth surface is ideal for pen and ink or pencil, but the slightest bit of water will make hot press paper buckle in minutes.
Very few professional watercolor artists use hot press paper – I know because I spent an entire day scrounging the internet, searching for tips about painting on hot press paper. Most of my results were tutorials in which artists explained the different types of paper (hot press, cold press, and rough) then announced their own reasons for using cold press or rough.
Here’s what I did find:
- This archived thread on WetCanvas, in which watercolor artist Susan Harrison-Tustain explains her technique for painting on hot press.
- … which of course led me to Tustain’s website, where I was understandably impressed by her photorealistic paintings, but had so much trouble navigating her website that I gave up trying to find any information on technique.
- A general consensus across various websites that HP is 1) better for lifting paint off the page, but 2) much worse for creating smooth washes, and 3) great for very controlled/detailed painters because HP paper is unforgiving, i.e. every brush stroke will be visible.
- A page from Watercolor Wisdom on Google Books that notes “HP is often chosen by painters who use bleeding (sometimes called ballooning) as a technique”
- This interview with Elizabeth Pratt where she talks about applying paint to HP paper through crushed tissue paper and then removing the tissue
Anybody want to point me in a good direction?