Pen and Ink, Watercolor
I always thought being a botanical/textbook illustrator would be an excellent job.
…only the stuff worth talking about.
My senior year of high school, I carried a moleskine notebook with me at all times. I was slowly (and painfully) detaching myself from high school, and I didn’t speak much that year– everything went into the book. It was sort of a compulsion, really: I had this tiny, meticulous handwriting, and I wrote in complete, cohesive sentences, often in essay-style. I copied down every quote that was meaningful to me, every conversation I overheard, nearly every unique thought that passed through my mind. And I neatly pasted in every receipt, ticket stub, every scrap of paper that I came across. My doodles were always photo-realistic, never imaginative. Looking back on it now, I see that year as a process of collecting the disparate scraps of myself before leaving for college.
So then, the turning point: I went to see a film with my dad, and my bag was stolen from under my seat. With my journal in it.
…and I learned the very important lesson, that you should always keep yourself whole enough to survive a stolen book.
I think my mistake was trying to make it honest and beautiful at the same time. I remember writing down horribly secret things that I had never spoken or written before: mortified, and brutally protective of the book afterwards. That honesty was necessary, but I had to set a lot of very restrictive boundaries for writing at the time: I only wrote in pencil, because I didn’t want to see any crossed-out mistakes. I would erase and re-erase until I had accurately articulated the feeling, event or thought that I wanted to convey. If I forgot to paste a ticket stub in, I felt furious– like something was missing and the book was incomplete. And I never allowed myself to go back and read my earlier writing.
After that book was stolen, I didn’t journal for my entire first year at college. It was too painful, and I was exhausted. I didn’t have the energy to put my life together so compactly again.
As it turns out, that painful transition was a Seriously Great Thing. For the first time in my life, I really embraced the place that I was in (which is to say, college). I explored it. I introduced myself to people, I put myself out there, I took risks. I cut my hair off. I got straight A’s, fell in love, twice, and began to see myself better, and more clearly. Basically, I put my energy into my life instead.
But let’s face it, I’m a creative writing major: I need some paper in my life. I transferred schools, feeling infinitely grateful to my first college and peaceful about leaving it. This time, when I returned to the habit of writing things down, I began using a pen. Which meant I crossed things out, a lot, and my handwriting was larger and looser. I also discovered how inferior moleskine paper is.
And this time, I tried to be okay with leaving things out. I sought a balance between living my life, and distilling it onto paper. I reconnected with the art of writing itself, received my first fountain pen from my dad, and began to think more critically about the environmental impact of being a writer…
I can’t say that my three years of living at Kenyon were more meaningful than my first year at Hollins. But I can say that (slowly and consciously) I began to integrate writing into my life in a healthy way– a way that I could see playing into my future and my profession.
And shucks, it does feel nice to look at that stack of notebooks and know that my tumultuous, rewarding college career is messily contained within it.
I purchased my first Exacompta sketchbook, and won my second from a Rhodia Drive raffle giveaway. (Remember how cute they were together?) I admit I had my doubts about using the same book twice… I tend to get a little claustrophobic with my art supplies if I’m not head-over-heels in love with them… and I did have few frustrations with the way that some of my more delicate nibs would catch on the Exacompta’s laid paper.
But now that I’ve finished that second book, I’d have to say it’s one of the best all-purpose books I’ve used thus far. In fact, I’m having a lot of trouble finding a replacement. I want many of the same characteristics: thick, unlined paper, a nondescript cover, and medium size. I’d like to have smoother paper this time around, though. And apparently, those requirements don’t come together too often in one book. I need to gather up the energy to bind one for myself again.
Here’s the visual summary:
It’s a damn good thing I have a ton of old art stored on my computer, or else I’d have no time to provide any posts during exam week. So… here’s a study of a friend of mine from a few years ago, done on a Rhodia pad with a Cross fountain pen– in the meantime, wish me luck on exams!